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“Perfectly cast, Daniel de Weldon’s languorous portrayal of self-preening Lot (Tennessee Williams) is an instance of unimpeachable camp — he touches up the roots of his tinted locks as reverently as he fondles his mother’s precious crystal... performances make the experience richly entertaining."                              

                                                                                                                     Chief Critic Charles McNulty

"Daniel de Weldon with a James Dean look & intensity creates and accomplishes the miraculous, de Weldon is a member of the legendary Actors Studio and it shows."                                                

                                                                                                                          — Top Critic Steven Stanley

"Initially and damn effectively, Daniel de Weldon is a blunt force instrument, to borrow the phrase with which M labeled Daniel Craig's newly minted 007 Bond. de Weldon's transformation was magnificent in his tentative attempts of intimacy and tenderness."
                                     
                                                                                  — Top Critic James Scarborough

                                                                                                                             of The Huffington Post

"And kudos go to Daniel de Weldon. This is the mark of a brilliant performance that enlists such an emotional response to a character...Some of the most dramatic and sensational moments I have witnessed on stage."                           

                                                                                                — Shari Barret

"Daniel de Weldon is a reminder of Marlon Brando's Stanley Kowalski in A Streetcar Named Desire..."

                                                                                         Mary Montoro

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"Daniel de Weldon finds an arresting stillness, gorgeously performed. Deeply inhabited on a moment to moment basis, turbulently affecting and robust performance...  and the performers gorgeously conjure the sudden weightless astonishment of finding themselves attached to each other." 

                                                                        Top Critic Charlotte Stoudt

"...stagecraft de Weldon plies flawlessly... Theatergoers who care about fine acting should likewise attend the production for the unearthly performance of Daniel de Weldon."  

                                                                        — Top Critic Dany Margolies

"de Weldon sat staring into space playing out Shanley's Apache dance with scrupulous honesty and attention to the details, unfolding in the ebbs and flows of real time... live-wire performance... was the art and craft of being... it matters because it's so rare when they get it so right."                                          

                                                                — Chief Critic Steven Leigh Morris

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"High-octane talent... Daniel de Weldon brought gritty authenticity... had me admiring the performances. To its considerable credit was deeply inhabited on a moment-to-moment basis by de Weldon."

                                   

                                                                     —Chief Critic Charles McNulty

"... this is all masterly writing by Tennessee Williams, and beautifully performed by Daniel de Weldon... some fine work — one great performance."

                                                                                                Gray Palmer

The other two actors here, are finely skilled, but they are merely acting. We begin to wonder whether de Weldon is merely acting, not reassured by his nearly spectral bows at the play’s end.                           

                                                                         — Top Critic Dany Margolies

"Daniel de Weldon's performance is wonderfully layered. When he gives us a glimpse inside, the bear becomes a teddy bear."                                                  

                                                                              — Top Critic Dave DePin0

"Daniel de Weldon’s performance is worth the price of admission in and of itself; his is a talent we need to see more of on L.A. stages.”  

 

                                                                                       Ernest Kearney

"Daniel de Weldon hit every level imaginable in David Rabe's

Streamers.                     

                                                                           — Los Angeles Magazine

"Daniel de Weldon's acting is wonderfully evocative of the time and

place, the characters come alive, convincing portrait and brilliant acting."

                                                                                             – Laurie Senit

"The power of Daniel de Weldon, to tap into the desparado that lives deep within many of us, looking for love and connection."                           

                                                                                                R. Goldberg

Bravo to Daniel de Weldon for his total commitment to his unapologetically, unsympathetic role of Lot."
                                                                                                     
Gil Kaan

"de Weldon... The performances are Gothic.  The literal oozing of sexuality... beautiful exercise in the extremes that Williams' work calls for."          

                                                                                       — Michael Sheehan

"Daniel de Weldon becomes the character, incredible transformation."                                            

                                                                                                  — Brian Slate

"Father Braulio of the Inquisition, effectively and menacingly portrayed by Daniel de Weldon. It was a tour de force performance with bouts of religious ecstasy and erotic fantasy."                   

 

                                                                                             — Ellyse Cooke

"Daniel de Weldon makes Shanley's pungent, staccato dialogue believable... Wild."                     

                                                                                             James Taylor

"Daniel de Weldon's well portrayed, demanding performance that draws approving laughs from the empathetic audience."

                                                                                           — M. Rutherford

"As affecting as any of William’s female leads

Mr. de Weldon’s performance as Lot is particularly moving."                                                   

                                                                                 — Patricia Foster Rye

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"de Weldon has impressive technique, defining his role with punctilious precision."

                                                              —  Top Critic Deborah Klugman

"Daniel Felix DeWeldon as Father Braulio is pure power, sex appeal,

and charisma. Masterfully and beautifully crafted work."

                                                     —  Lillian Muller

                                                      Playboy Magazine's Playmate of The Year

The way DeWeldon transforms Jason from a hipper than thou vet to a dude with a serious God-complex has to be seen to be believed.

                                                                                         - James Scarborough                                                                                       Of The Huffington Post

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"de Weldon's... Anonymous 616 could go straight to big screens; a rarity that could find company with films like The Blair Witch Project and the first Paranormal Activity.

                                                                            -Film Critic, Josh Millican                                                                                      DreadCentral.com

"Daniel DeWeldon is brilliant as the complacent turned ruthless Jason who refuses to deny this alter-ego taking over his psyche. He instantly transforms into a superior, paranoid and narcissistic animal, pillaging the house of all its demons."

                                                                                - Horrorpedia Film Critic

                                                                                      Meredith Bogard Brown 

Special performance honors in the picture to Daniel de Weldon ... Stanislavski promoted the idea ... Many don’t do it nearly as well. A central character

tour-de-force... the camera eye is on de Weldon and he does not disappoint

with his riveting presence. 

                                                          - Horror News, Film Critic Kevin Nickelson

"de Weldon's transformation (his fricative cursing warbled into marbled words of love) into a teensy weensy less blunt force husband willing to assume accountability for his nasty propensity towards violence, for the exorcism of Roberta’s demons, for the rewriting of his life’s script, was equally magnificent.  

                                                                                                     - James Scarborough                                                                                                    Of The Huffington Post

                                              

  • Top Acting Performance Awards 2018
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  • Top Acting Performance Awards 2018
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"de Weldon delivered an absolutely phenomenal performance and earned 

himself a round of applause and standing ovation... "

                                                                                                    - Jury, 13.Horror.com

"One Must Fall" ... "the ever so talented Daniel de Weldon, who portrays the slick and cunning (but petrified) Daniel. His performance as the tough, know-it-all, chain-smoking ladies’ man, is an incredible transition from his role in the fantastic film, Anonymous 616 (where he captured all with his PTSD paranoia and viciousness in the most cerebral way.)

                                                                                             - Horrorpedia Film Critic

                                                                                                Meredith Bogard Brown